This work is a microchapbook of poetry. Based loosely off chapbooks of the past, a chapbook is typically a brief sample of work or different works sampled down to about twenty five to thirty pages. A microchapbook is even shorter. This particular one has six poems and stands at about nine pages in length.

The work itself contains some subtle themes of recovery, alienation, rumination, dreams, nightmares, and music that are intended for an mature audience.

But if anything, the poet hopes you retain some appreciation of the city from which this work derives inspiration and a penchant for treating everyone around more kindly. 

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Duchovny’s approach to poetry is beautifully (and, typically, humorously) encapsulated in his introduction to the work, in which he writes:

Poetry is not useful. And that is exactly why we need it. It reminds us of two important things: our ultimate lack of agency (unpopular to say, I know) and our inability to say anything plain, our inability to capture what it means to be human with the imperfect tool of words; we come face-to-face with our shadow selves, for in the end we will all die and be forgotten, and come away with nothing, nothing in the way of utility anyway, no talking points, no bullet points, no propaganda, no resolutions, no policy, no knowledge. If anything, maybe we remember a few lines . . . something like a pop song from the collective unconscious, something like wisdom.

You see, I wanted to say it plain, but out comes that torrent of modifiers and adjustments, denials, double negatives, shading, stabs at wit, backpedaling, playing at capturing the lightning. Maybe this time. Maybe that’s what a poem is—that glorious feeling of Maybe this time I’ll get it right. If that’s the case, it seems a worthy enterprise to me. You see, I got somewhere, but the way back is unclear—that’s a good enough definition of poetry for now. No, it’s not.

Duchovny’s efforts at achieving such clarity range in this collection from laser-sharp, single-sentence poems to emotionally sweeping ruminations. With About Time—perhaps his most personal work to date—Duchovny continues his journey as one of the most prolific creators of his generation.

What people are saying…

“David Duchovny has written a helluva book of poems, a volume I suspect will adorn many shelves. The collection is smart, smart-assed, and moving enough to reward study. Buy this book!”
—Mary Karr, author of The Liars’ Club

“David Duchovny is known as one of the most talented, brightest, and wickedly funny actors in the entertainment business. He is also a wonderful writer, as evidenced by his many novels and this collection of intimate and humorous poetry.”
—Alec Baldwin, actor, author of Nevertheless

“Why should I be surprised that the soulful actor David Duchovny is not only an accomplished novelist but also possesses the heart of a true poet? His verse effortlessly charts a course through a landscape of melancholia so rich with irony and humor that I found myself reading his poems aloud just to savor the depth of his emotions.”
—Griffin Dunne, actor, author of The Friday Afternoon Club

“David Duchovny’s language is specific and surprising. Colloquial. In the tradition of Robert Frost and Vachel Lindsay, a tradition that has been eclipsed by Imagism. With modernist twists, he invigorates the tradition of storytelling poems.”
—David Black, award-winning writer, producer

“As a novelist, actor Duchovny has already shown readers that he’s . . . the real deal, and this poetry collection further establishes him as a talented writer, as capable of mining Milton as he is of reflecting on ephemera and incidentals . . . Duchovny approaches poetry as a uselessness that demands to be used, an unneeded form that he needs, and his poems clearly communicate the desire to make words of what is unspeakable by anchoring them to unconventionally and beautifully wrought poetic conventions.”
—Library Journal, STARRED review

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Though the dominant tone is romantic, scattered throughout are glimpses of mysticism and philosophical musings. And particularly in light of present circumstances, a piece written with a socio-political lens concludes this collection, offered as a heartfelt confession to the reader—whoever they may be.

More than anything, the hope remains that what is traditionally called “art” may, through these humble words, spark a reflection in the reader’s heart.

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My work explores the unseen threads of life: the push and pull of duality, the call to evolve, and the quiet power of inner vision. These aren’t just poems—they’re meditations minted as NFTs, blending timeless questions with digital innovation. The visuals, crowned with a triangle over a square, echo my belief in consciousness triumphing over the physical, inviting you to see beyond the surface. Every release is a moment to pause, feel, and connect with the eternal pulse that binds us all.
As a collector or seeker, you’re not just grabbing an NFT—you’re claiming a piece of a living journey. “Beats of the Eternal Pulse” unfolds gradually, each drop a new vibration in this cosmic symphony. Join me in 2025 as I unveil these works, one at a time, and let the rhythm carry you into the unknown. Dive in, own a beat, and become part of the pulse.

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Beyond the renowned odes, the collection features sonnets, narrative poems, and unfinished fragments that showcase Keats’s literary evolution. His exploration of themes such as love, mortality, and the pursuit of artistic expression resonates across time, offering insights into the human experience that remain relevant today.

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Zarathustra, the book’s central character, serves as Nietzsche’s voice for presenting his philosophical ideas. Structured in four parts and written as a prose poem, Nietzsche conveys his thoughts through allegory and parable, addressing themes such as eternal recurrence, the will to power, the overman (or Übermensch), and the concept of God’s death.

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In his first horror anthology, Shawn Bailey blends short, horror stories with dark poetry to leave you asking, like the paralyzed victims of the Dancing Scarecrow, what can and cannot be within our fragile realities. The closer you get to the end, the darker it gets.

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“Beowulf” stands as a cornerstone of early medieval literature, celebrated for its intricate narrative structure and poetic mastery. The poem’s rich symbolism and timeless themes continue to resonate with modern readers, offering insights into the human condition and the timeless quest for glory and meaning. Its influence extends beyond literature, inspiring countless adaptations and interpretations across various media. “Beowulf” remains a testament to the enduring power of storytelling and its ability to capture the essence of the human spirit.

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